A Lifetime of NBP Braille: From Reader to Proofreader

By Carey Scouler, Proofreader

I’m sure that everyone can remember or relate to the joy of receiving an expected gift in the mail as a child; counting down the days until it would be delivered, checking the mail every day for weeks, then eagerly ripping it open when it finally came. From the ages of six to ten, that gift for me was the chance to visit new worlds and delve into the lives of all sorts of characters, while at the same time learning new letters and words. It was the gift of literacy, a gift for which I owe all of my thanks to National Braille Press.

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Proofreader Carey Scouler and her guide dog Hayden

Ever since I was very young, reading has always been a passion of mine, and that passion was fueled considerably when I began receiving books from the Children’s Braille Book Club. My mother and I would sit on our plushy couch side by side, and she would animatedly read the printed words in a book to me. She would then gingerly hand me the book, and my fingers would carefully touch each braille dot as I learned new letters and sounded out words. This was a fun activity for us both, and I continued to enjoy reading as I branched off and began exploring more advanced braille books. This love of reading and my eagerness to learn the braille code couldn’t have been achieved without the wonderful books I first received from National Braille Press.

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Oh, The Places You’ll Go

The lessons I learned from the books were not the only thing about National Braille Press which stayed with me forever—so did their address. One day, while sitting in the back of my parents’ car, lovingly clutching “Happy Birthday, Rotten Ralph” (a print/braille book which my grandmother had often read to me), I casually asked my parents where 88 St. Stephen Street was after carefully examining the book’s title page. They told me where it was and we discussed possibly visiting. For a while after that, I checked the address on the cover of every book I received from NBP, each time still longing to visit and learn about where the books I had grown to love had come from.

As I got older, my love of braille led me to make some wonderful friends. When I was in fourth grade, I began competing in the Braille Challenge, a competition which tests students from grades 1 to 12 in different aspects of braille literacy such as charts and graphs and reading comprehension. The winners in the regional level would then have a chance to compete nationally. Through many years of participating in this contest, I made many wonderful friends, most of whom I’m still in touch with to this day.

When it came time for me to graduate from college and start looking for a job, I knew I wanted to do something involving words. I had graduated with degrees in English and journalism, and immediately started looking for writing and editing jobs. During the networking process, I realized that NBP was hiring and looking for a proofreader. I was thrilled at the idea of being able to read things I hadn’t gotten the chance to, while at the same time looking for errors and essentially practicing my editing skills. I took part in two interviews, and was hired to work as a proofreader a few weeks later. Now I can say that I’ve not only visited 88 St. Stephen Street once, but that I have been given the opportunity to go there every day. It’s such a wonderful feeling to know that each day, I get to be a part of helping kids and adults receive the same gift I was given—the gift of literacy.

The Sound of Accessibility: Braille Materials and Music Festivals

Every spring and summer, music festival fans travel the world to see their favorite bands perform, discover new rhythms, and enjoy the vibrant atmospheres of diverse venues. Each event has its own style: a bohemian layout, regional noshes and creative libations, and highly technical (or equally rustic) stage setups. When it comes to navigating through crowded and unfamiliar locations, blind music lovers need tools to orient themselves to the new space.

“I’ve been to concerts and sporting events. The more crowded and loud it is, the more overwhelming it gets. This is where a tactile map or directions in braille would come in handy to fall back on,” says Georgie Sydnor, NBP proofreader and country music lover. “With it being so loud, it’s hard to even find someone to help you navigate. Sometimes, I won’t go to an event when I know it lacks accessibility because it becomes too stressful.”

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Accessibility can be as simple as creating a list of concessions and where they can be found, or a tactile map of the venue marked with major stages, exits, and restrooms. These materials guide blind users and promote a general sense of the area.

Another NBP proofreader, Ashley Bernard, is an avid concert attendee with a recent penchant for electronica. She suggests a braille flyer handed out which gives landmarks to navigate to specific locations. “’For sections A-D, the nearest concession stand is near the main door.’ Short, simple, and descriptive enough to give someone like myself an idea of which direction to start off going,” Ashley says. “I’d most certainly choose a venue which offered accessible information over one that didn’t, regardless of price, time of day, or other variables. Accessibility doesn’t have to be high-tech, innovative, or intricate. The important thing is that it’s an option to some degree, when and if called upon.”

What resources do you use? What do you need? NBP is here to help. We love working with individuals and organizations to create braille projects for the best possible festival experience! Want to learn more? Email Nicole Noble at nnoble@nbp.org.